Programme
Provisional Conference Schedule
| Unless otherwise noted, all programme points will take place at the TS Eliot Lecture Theatre, Merton College. | ||
| Friday, 10 May |
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10:00–11:00 |
Registration with Tea&Coffee | |
11:00–11:15 |
Welcome Address | |
11:15–12:45 |
Panel Session 1: Performing Song in Context | |
13:00–14:15 |
Lunch [University Club] | |
14:45–16:30 |
Panel Session 2: Performance: Concept, Context, Genre | |
16:30–17:00 |
Tea&Coffee break | |
17:00–18:00 |
Manuscripts at Merton with Dr Julia Walworth | |
18:15–19:30 |
Keynote Address by Prof. Franz Körndle | |
| 19:30–19:45 | Light refreshments | |
20:00–21:15 |
Concert: Ensemble Leones [Merton College Chapel] | |
21:30–22:30 |
Reception [Merton College MCR] | |
| Saturday, 11 May | ||
09:00–10:30 |
Panel Session 3: Manuscripts as Performance | |
10:30–10:50 |
Tea&Coffee break | |
10:50–12:00 |
Keynote Address by Dr Florence Bourgne | |
12:00–12:15 |
Tea&Coffee break | |
12:15–13:45 |
Panel Session 4 and Concluding Remarks: Performance Transformed | |
| 14:00 | End of Conference | |
| Panel Session 1 | ||
| Performing Song in Context | ||
Dr Almut Suerbaum |
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| ▪ | Annemari Ferreira, Tið, Tiðindi: The Phenomenology of Skaldic Poetry in Egils Saga | |
| ▪ | Jennifer Rushworth, The Psalms and Dante’s Purgatory |
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| ▪ | Moritz Kelber, Advenisti desiderabilis: Emperor Charles V as the Saviour of True Faith |
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| Panel Session 2 | ||
Performance: Concept, Context, Genre |
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Dr Sophie Marnette and Dr Helen Swift |
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| ▪ | Uri Smilansky, The Multi-Dimensional Text: A Thought Experiment Around Machaut's De Bonté, de Valour (V10) |
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| ▪ | Matthew Cheung Salisbury, Performance, Performativity, and the Medieval Liturgical Act |
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| ▪ | Steffen Hope, The King’s Liturgical Image |
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| Panel Session 3 | ||
Manuscripts as Performance |
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Dr Jessica Berenbeim |
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| ▪ | Sophie Burton, Archiving Chant: Triplet Masses in Benevento, Biblioteca Capitolare MS 40 |
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| ▪ | Rachel Sullivan, Performing Manuscripts: Rhyme Braces in Medieval Play MSS |
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| ▪ | Jack Hartnell, Embodied Bodies: Performing Medieval Surgery and Performing Medieval Art History |
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| Panel Session 4 | ||
Performance Transformed |
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Prof. Elizabeth Eva Leach |
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| ▪ | David Bowe, Who Performs the Siren Song? Performative Reading and Writing in Purgatorio XIX |
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| ▪ | Francisca Gale, Adaptation and the Problem of Performance: Wolfram's Solution in Parzival? |
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